Showing posts with label Ruilen / Mediamatic. Show all posts
Showing posts with label Ruilen / Mediamatic. Show all posts
15.1.13
Inspirations for the next XU | Ryuji Miyamoto 'Cardboard Houses'
Ryuji Miyamoto’s series of photographs called ‘Cardboard Houses’ depicts the living spaces created by the city’s organized homeless. The project began in the late 1980s but came to full fruition in the mid-1990s, just as Japan suffered from an economic crisis and the homeless population of Tokyo grew rapidly.
http://azurebumble.wordpress.com/2012/09/17/ryuji-miyamoto-cardboard-houses-series-photography/
http://jameskelly.com/miya%20cardboard/miya.html
6.1.13
17.12.12
16.12.12
15.12.12
13.12.12
5.12.12
4.12.12
Gracefully Entangled in a Whirlpool of Exchange / 28th Nov.- 2nd Dec. News From Last Week
Dear visible & invisible audience,
the week was filled with extended dreaming sessions entangled with guests (Bram & Roman) and all of the objects some of you have offered us, traveling through various locations inside Ruilen.
Our last dreaming session was prolonged to 2 hours and attempted to include everything there was,
our guests, passers-by visitors, all locations, our collection of objects and the objects that are found in the exhibition, within a dream.
We feel that this dream, that we still don't know to whom does it belong - perhaps to the soul of the frozen white walls inside the empty warehouse - might be a dream of ghosts, exploring the mysterious sensuality that can be found in the absence of social interaction.
We fell in love with the objects you brought us, out of the desire to still feel connected to you, perhaps.
Imagination can offer a short-term replacement of actual human contact.
We endlessly dreamed on the wedding dress, got married, killed, abused, healed and re-harmonized. We become children that found their dolls' hair shaved and cried over some beans. We prayed for the right to dream, while a conference takes place. We hid ourselves in silence and secret, twisted declarations of love.
We sensed each others fragility through a channel where words do not enter and watched our ears open for a voice unknown and not heard before that said: 'Take a walk around the block before deciding to forget your common sense and stay deep inside your own, private, endless ocean'.
Time for Barbie...
On Sunday 2nd Dec. we decided to swap our identities inspired by the 'Barbies for Food' exchange.
We went back to the surface and the easy-going, short encounters with visitors that don't know us.
We felt that the situation had to be re-checked from a new to us perspective. Barbie...
The Barbies-for-Food event was occurring simultaneously with the Art-For-Art exchange, yet the two events, as well as their guests, showed no interest in another. The Barbies were at the entrance and the art at the complete other side of the exhibition while the vast space in-between stayed, in our view, cold and empty.
We spontaneously decided to do nothing else but dress up as Barbies, visit the Art-For-Art, talk to the people there and keep walking back and forth from the Barbie stand to the Art area till something happens. We received some funny looks & smiles, posed for some photos and made two 2 new acquaintances:
Mania or Amy's Whitehouse sister - a painter who offers her paintings in exchange for 2 hours of computer and i-pad help. (Her painting and phone number are left unofficially close to our pink garden.)
and Johannes, a guest of the Art-for-Art exchange, who happened to be hungry and found no food around. Together with Johannes we came up with the idea to suggest a different bargain to the the Barbie owner : offer ourselves as live-size barbies in exchange for some of his food.
Although this action was a little more adventurous than what we thought, we in the end managed to get a 5 degrees (room) temperature Garnalensoep met cocosmelk, that we hope Johannes appreciated.
Next to that, we have as well acquired some new books after exchanging stuff at Ruilen, following the impulses of our new Barbie identity.
We are at the moment preparing for our final week of stay.
We have had lots of conversations and spent time re-evaluating our activity with people involved or not in the exhibition. We would like to thank everyone that spent time with us, offering us their perspective.
We are happy to see that through this project we get a chance to know you and ourselves better.
p.s.
We would like to welcome the cat made of paper, donated by Roman and the torn black fabric with the remains of fluorescent chalk and it's falling pocket attached with a white tape, as well as the cardboard box where it was lying inside and sincerely thank its unknown donor.
* image by Gordon Wilding
(http://www.lewub.com/images.php?id=27)
the week was filled with extended dreaming sessions entangled with guests (Bram & Roman) and all of the objects some of you have offered us, traveling through various locations inside Ruilen.
Our last dreaming session was prolonged to 2 hours and attempted to include everything there was,
our guests, passers-by visitors, all locations, our collection of objects and the objects that are found in the exhibition, within a dream.
We feel that this dream, that we still don't know to whom does it belong - perhaps to the soul of the frozen white walls inside the empty warehouse - might be a dream of ghosts, exploring the mysterious sensuality that can be found in the absence of social interaction.
We fell in love with the objects you brought us, out of the desire to still feel connected to you, perhaps.
Imagination can offer a short-term replacement of actual human contact.
We endlessly dreamed on the wedding dress, got married, killed, abused, healed and re-harmonized. We become children that found their dolls' hair shaved and cried over some beans. We prayed for the right to dream, while a conference takes place. We hid ourselves in silence and secret, twisted declarations of love.
We sensed each others fragility through a channel where words do not enter and watched our ears open for a voice unknown and not heard before that said: 'Take a walk around the block before deciding to forget your common sense and stay deep inside your own, private, endless ocean'.
Time for Barbie...
On Sunday 2nd Dec. we decided to swap our identities inspired by the 'Barbies for Food' exchange.
We went back to the surface and the easy-going, short encounters with visitors that don't know us.
We felt that the situation had to be re-checked from a new to us perspective. Barbie...
The Barbies-for-Food event was occurring simultaneously with the Art-For-Art exchange, yet the two events, as well as their guests, showed no interest in another. The Barbies were at the entrance and the art at the complete other side of the exhibition while the vast space in-between stayed, in our view, cold and empty.
We spontaneously decided to do nothing else but dress up as Barbies, visit the Art-For-Art, talk to the people there and keep walking back and forth from the Barbie stand to the Art area till something happens. We received some funny looks & smiles, posed for some photos and made two 2 new acquaintances:
Mania or Amy's Whitehouse sister - a painter who offers her paintings in exchange for 2 hours of computer and i-pad help. (Her painting and phone number are left unofficially close to our pink garden.)
and Johannes, a guest of the Art-for-Art exchange, who happened to be hungry and found no food around. Together with Johannes we came up with the idea to suggest a different bargain to the the Barbie owner : offer ourselves as live-size barbies in exchange for some of his food.
Although this action was a little more adventurous than what we thought, we in the end managed to get a 5 degrees (room) temperature Garnalensoep met cocosmelk, that we hope Johannes appreciated.
Next to that, we have as well acquired some new books after exchanging stuff at Ruilen, following the impulses of our new Barbie identity.
We are at the moment preparing for our final week of stay.
We have had lots of conversations and spent time re-evaluating our activity with people involved or not in the exhibition. We would like to thank everyone that spent time with us, offering us their perspective.
We are happy to see that through this project we get a chance to know you and ourselves better.
p.s.
We would like to welcome the cat made of paper, donated by Roman and the torn black fabric with the remains of fluorescent chalk and it's falling pocket attached with a white tape, as well as the cardboard box where it was lying inside and sincerely thank its unknown donor.
* image by Gordon Wilding
(http://www.lewub.com/images.php?id=27)
3.12.12
2.12.12
1.12.12
Gracefully Entangled in a Whirlpool of Exchange / Report of the week 21st - 25th Nov.
Items:
We would like to welcome 5 new items that joined OBUO(Orphanage of Beautiful Unwanted Objects)at XU.
We would like to welcome 5 new items that joined OBUO(Orphanage of Beautiful Unwanted Objects)at XU.
1. a little duck that somebody left under the chimney
2. a wedding dress
3. a coat with black fake fur
4. snail hair oil
5. a tampon
Many sincere thanks to all the donors we met, as well as the one's who wished to remain unknown. We are very inspired to find objects in secret places!
Many sincere thanks to all the donors we met, as well as the one's who wished to remain unknown. We are very inspired to find objects in secret places!
Dealing with circumstances:
A huge scaffold placed in front of our house and construction work taking place on the ceiling above, gave us the opportunity to go for day-trips, little adventures and pick-nicks with our objects in different locations inside Ruilen.
We would like to thank the section of lonely socks, the swing, the check-in & check-out desks, as well as the art section for their kind hospitality.
Sharing with guests:
Guests that came to visit us and XU freshened up our stay there and made us ask ourselves new questions concerning our way of communicating.
The sessions we set make most of our guests feel a little lost in the beginning, yet, after a while, when the lostness dances with the willingness to stay present, what is created is a fertile morphing field where the ambiguous seeds of our exchange are planted, waiting for the right moment to blossom.
We would like to thank the new and old, shorter and longer terms guests, Roman, Andrea, Sandrina, Alex, Ida, Joseph & Bram for creating, through their particular way of being present, the possibility of a world of shared dreams.
We are grateful to you for making our dreams change!
Diary of meetings
Wednesday: Dreaming Under the Lonely Socks (with Andrea)
Our exchange involved updating Andrea about how we developed her dream idea during the previous week and brainstorming on how to continue the work together. The 3 of us decided to to do a 30 min dreaming session Under the Lonely Socks
using all of our objects.
During this set we played with 2 roles:
a. dreamer, letting her dream move her
b. being moved by the dreamer, moving the dream.
We exchanged roles after 15 min
Andrea was making an illustration on paper, viewing the situation as her dream.
Her draft illustrations can be found inside XU.
Thursday: Swinging the dream (with Roman & Andrea)
Our session started with a 20 min unusually energetic duet dancing that took place around the entrance of Ruilen. The dance emerged spontaneously from Roman's idea to film us from the swinging swing while we are lying on the floor with all our objects.
We continued with a 1h 20min dreaming session with Roman filming and Andrea occasionally making little drawings from inside the small glass house at the entrance. During this set we played with the same 2 roles as on Wednesday and were exchanging roles once every 20 min.
We played together with all our objects. The brown beans gradually became the main characters.
Friday: Dreaming with new guests (with Alex, Sandrina and Roman(filming))
Sayaka left to Spain and Alex and Sandrina came to visit me in Xu.
Both of them were there during the opening night and apart from offering us a very beautiful and mysterious object - a woolen ball that has soap inside - they were interested in coming back and getting somehow involved in our project.
Already then, Alex had proposed to us the idea to make a very detailed archive of all our objects, listing their special qualities and organizing them according to categories.
Our meeting started with a very long talk inside Xu - it was the first time we tried fitting 4 people (Alex, Sandrina, Roman, Maria) inside a tiny space, and realized it's actually possible. We spend more than 1 hour in there, drinking coffee and tea, catching up, informing them on how things went since the opening and exchanging ideas on how to continue working. We had lots of fun imagining possible things to do and both of them had many, very intelligent ideas that could be developed in a long term project.
After the talk we did a 45 min dreaming session (the same construction as on Sunday 18th Nov) with 3 roles that are exchanged every 15 min : 1. dreamer, let your dream move you 2. being moved by the dreamer, moving the dream 3. undefined role.
Sandrina offered an additional idea on top of this construction and contributed more objects. She gave each dreamer one of her exchange cards. The dreamer had to go and pick up his/her object from the exhibition shelves and start dreaming in relation to this object.
Our session travelled everywhere in the space while Techno music was playing loudly from the Seed's Exchange shelves, causing some unexpected wild dance around the swing and under the scaffold.
Our session travelled everywhere in the space while Techno music was playing loudly from the Seed's Exchange shelves, causing some unexpected wild dance around the swing and under the scaffold.
We continued with more talk at the Roest next door. More ideas and images kept coming. I felt that after this day I could have written 3 new project proposals.
I became aware than within the conditions I could only make direct use of 0,1% of what was proposed, yet I felt grateful for the brain's shake up.
Saturday: Back to the basics - Getting to know home (with Sandrina)
Sandrina and me did and 1h 20min dreaming session with 2 roles that are exchanged every 20min:
One person inside XU, dreaming, letting her dream move her and the other outside Xu, being moved by the dreamer, moving the dream.
We talked about the feeling of being protected when being inside XU and the feeling of being supported in dreaming by the person outside. After this session it became clear that this is not something we can easily explain or find the right words for, yet it is clearly felt.
We would like to understand better this relation to another and to XU, as we see that it helps us flow in uninterrupted creativity and feeling of connection to another for a longer time.
Sunday: Spontaneous acts (with Sandrina, Ida, Joseph and Roman(filming))
Upon entering the exhibition I found two choreography students from the SNDO, Ida & Joseph, that happened to visit.
We spontaneously decided to do short movement solos with objects in different locations inside the exhibition.
We worked with the following construction:
Each person picks an object from our collection, walks around the exhibition for 15 min and picks a location.
After 15 min the 4 of us meet and go for a journey all together. Each time we stop for one person to do a 3 min solo with his/her object in the location he/she chose before while the other's watch.
We did two rounds in total. The locations in the 2nd round were found spontaneously.
Watching those solos was a refreshing and fun experience and gave me new inspiration for using the space and objects.
After Joseph and Ida left we continued with a 30 min session together with Sandrina at the art section behind the glass house.
We started by making two trails with beans starting from XU and took two different paths around the glass house. We agreed to start our session at the point where we would meet.
The session consisted of short solos - one person moving and the other observing, exchanging role every 2-3 min. Sandrina proposed to take tourist photos with flash at the end of each solo, so we did that too :)
29.11.12
26.11.12
25.11.12
23.11.12
TRACES OF PROCESS | Miranda Tufnell & Chris Crickmay | Body-Space-Image, Notes towards improvisation and performance, 1990
In everyday settings, collections of objects often look coherent, not because they have been composed, but because a coherent, living process has occurred amongst them -
Tracks left by animals in snow
Craftsman's workshop
Ant's nest patterns
Table after meal
When we arrange things deliberately we commonly resort to simple pattens - a circle, a square, a line, a pile, various forms of symmetry, things at right angles to each other... Arrangements that emerge through a living process tend not to lend themselves to such overall descriptions.
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